I say this only to introduce a quote that I found on page 147.
The painter and the sculptor are the Catholics of art, the writer is the Protestant. The former have the sacramentals, the concrete intermediaries between themselves and creation--the paint, the brushes, the fruit, the bowl, the table, the model, the mountain, the handling and muscling of clay. The writer is the Protestant. He works along in a room as bare as a Quaker meeting house with nothing between him and his art but a Scripto pencil, like God's finger touching Adam. It is harder on the nerves.
Immediately following this paragraph is a brief explanatory section titled, WHY WRITERS DRINK. It's enough to make you stop reading and lean back in bed, staring at the ceiling, for at least five minutes.
You're just in time to join the discussion of Lost in the Cosmos at Korrektiv.
ReplyDeleteThank you, Rufus. The lectures over at Korrektiv are great, and I'm enjoying myself as I read through 'em. Coming to the "course" late has its advantages--accrued insight.
ReplyDeleteI'm stealing this bit from Walker's letter describing the origins of Lost in the Cosmos:
"As you can see, this is not an entirely serious book, and yet it is serious. What it is getting at is of course my old hobby-horse that science is extraordinarily stupid about people as people and the consequences of this stupidity (combined with an instinctual confidence in science) is going to do us all in if we don't do something about it...
What I like about it is that it gives me the chance to do something of moment and at the same time have a good time getting my own licks in and both offending people and getting them to laugh."
Maybe this will help some people get a handle on what this book is about. (Maybe.)